why we who have to bear the burden of proof and explain why anyone still believes in the authorship of the Homeric corpus.is true that the attribution of the texts of Homer is generally in the codices, the Hymns also present the literary conventions of the standard used in Iliad and Odyssey.About the author has to explain first that none of the Homeric Hymns could be composed by Homer, or more precisely, that the author or authors of the Iliad and Odyssey should not have to compose any of the Hymns of the collection. Two traditional philological issues should not be ignore are those relating to the author and the date of the texts. For example, there are reasons to argue that Ovid was able to take account of the Homeric Hymns when composing his Metamorphoses. And the footprintĬorpus may spread beyond the Greek literature. The study of the trace the Homeric Hymns left in Greek literature of all times is a matter under study here can not be addressed as we desire. It is worth noting that we retain only three or four papyrus text of Hymns, this seems to be an indication (admittedly questionable) that, on the date of production of the papyrus, the Homeric Hymns was not a text habitual reading.īut surely the texts had enjoyed widespread previously. These hymns have come to us through medieval manuscripts: those discovered by Cassola (1975, 593-6) in his edition are twenty-six. Homeric Hymns are a set of thirty-three compositions (one of them, I very fragmentary) whose paternity was assigned to the author Iliad and Odyssey for reasons we shall see later. Orphic Hymns and are the work of neo-Platonic philosopher Proclus (see entry 53.those written by Callimachus (see the input 37.Through direct transmission (codices) have come down to us four collections of hymns composed in literary Greek epic meter: CIRCUMSTANCES OF COMPOSITION AND PERFORMANCE. Commenting on the corpus of hymns hexameters attributed to Homer, the Homeric Hymns called, be treated on the following points:Ĥ.
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